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Forough Alaei: The Underneath of the Calm Streets of Iran

Forough Alaei: Underneath the Calm Streets of Iran

The aesthetics of the Iranian photographer’s imagery could well have emerged from the world of fashion. Consequently, in contrast to the surroundings that are defined by restrictions in daily life, they appear fresh and modern. The photographer centres her work around the underground movement that is developing, where women are breaking free from official regulations.

In her series, the photographer focusses on apparently cheerful and positive everyday situations, taking place on the periphery of main events. “I am hardly ever inclined towards the dark side of the issues; because I don't want to be the one who makes people feel hopeless. Consequently, in every topic I try to find the green buds among the dust and trash, which show us that we, as humans, are deemed to be hopeful and find a way to evolve. For instance, when everybody talked about the football restrictions on women, I tried to find the brave female fans who found a way to get into the stadiums dressed as men. When there were constant stories about the oppression of women, I focused on empowering women who broke the taboos in their lives and became inspiring characters,” the photographer says, explaining what she looks for when travelling throughout Iran.

“I captured how people find ways to cheer up and to have fun in their lives.”

The use of strong colours, glaring lights and a hard flash as part of her visual aesthetics, and which can also be found in progressive fashion company displays, underlines the positive basic tenor and forward-looking nature of her imagery. She clarifies what she hopes to achieve with her project, as follows: “I tried to show two main aspects of the developments in Iran. First, that momentary changes in an evolving society have historical roots and strong people behind them. Second, that the calm appearance of a society definitely doesn’t mean there is no change going on within it. These are the little changes made by individuals that turn into a big and seemingly sudden change in a society as a whole.” Naturally, the women in this conservative country are faced with great challenges, but the visibility of shining examples and role models is increasing, and women these days have become more determined than ever to fight for their rights. “Since they have seen the solidarity of society in the face of the most recents problems and movements, their will has grown even stronger,” Alaei says of her understanding of the current zeitgeist.

Forough Alaei’s series was submitted by Antonia Benedetta Donato, who is among this year’s group of 80 international LOBA nominators.

Forough Alaei

Born in Arak, Iran in 1989, Alaei studied Law and was also an enthusiastic painter. After completing her studies, she turned to teaching herself photography. In 2015 she became a photo journalist for the Donya-e Eqtesad newspaper, the best known daily economic paper in Iran. Her work has appeared in numerous publications, such as TIME, The New Yorker, The Guardian, Paris Match, Le Monde, De Volkskrant and Die Zeit.

Portrait: © Tina Nekoofar